Reverb pro microphone how to#

For those with an expansive setup in mind, looking into multi-channel units is worth your while.

Channels: Just want to record an instrument or two in your person home setup? A single- or dual-channel preamp unit will serve you well.

And if you want the best of both worlds, you can even pick up a hybrid unit housing both options. There is no one-size-fits-all answer here, so the best way to decide for yourself is to experiment.

The honest truth is that the answer always changes based on the particular preamps you're comparing and the sound that you're looking for.

Solid State: This debate rages in nearly every corner of the gear world, and mic preamps are no different.

Each one has its advantages and disadvantages, but it really comes down to how you like to record-one format isn't always superior to another. Format: External, outboard mic preamps come in multiple forms: rackmount, modular (including but not limited to 500 series), or desktop.There are three main things to keep in mind when shopping for one: Mic preamp circuits have long been built into mixers and recording consoles, but here, we're talking about standalone outboard mic preamps. Plus, preamps improve the quality of your recordings and can give them a distinctive character to make your own sonic signature. That's where the mic preamp comes in: It juices the weak microphone signal with gain to get the mic up to a level suitable for your DAW. In general, microphones operate at a level far below what is optimal for recording. Plus, check out our mic preamp buying guide for staff-approved picks.

Reverb pro microphone how to#

There aren't just solid deals to be had: whether you want to get tips from studio veterans, learn how to get that Nashville sound, or see a pro setup for some inspiration, there are plenty of articles, videos, and more on Reverb. Here on Reverb, popular options from the Rupert Neve Designs Portico 511 500-Series Mic Pre Module with Silk to the Soyuz Microphones Launcher Inline Mic Preamp/Gain Booster are available every day at great prices. We highly recommend that you apply some room treatment to absorb soundwaves so they don’t bounce around your room as much.On paper, the role of microphone preamps in the recording process is just to bump a signal up to line level, but in practice, mic preamps can play an enormous role in defining the character of your tracks. This is likely do to the environment that you are recording in. If you’re hearing a lot of tapping, we highly recommend a shockmount.īlue Yeti Shockmount: Bonus Tip – Room TreatmentĮven if you follow all of the tips in this video, there is a good chance that your recording will still sound boomy and echoey. A plosive is when you make a “P” or “B” sound and a large amount of air is released into the diaphragm of the microphone creating a distorted “pop” sound.Ī shock mount is the easiest way to “air gap” the microphone so taps, bumps, and shuffling don’t get transferred into the microphone. Pop Filters and Windscreens do a great job of filtering the air coming from your mouth and preventing “plosives’. Microphone Boom Arm: 4 – Pop Filter & Windscreen We recommend some type of microphone stand or boom arm to help get the microphone closer than the factory stand that comes with the microphone: If the microphone is too far away, you will hear a large amount of distracting background noise. If the microphone is too close it will sound inconsistent and boomy. The microphone gets the best results when it is within 4-6″ of the subject that it’s recording. It is not a good idea to speak into the back of the microphone or the top of the microphone because it will sound very muddy and will lack the tone that you are looking for with your recording. You should be looking at the Blue logo when you are recording with this microphone. When you are recording with the Blue Yeti, it’s important to make sure that it’s pointing the right direction. This is what you should see when you are recording with the Blue Yeti